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“To be able to imagine a new colour is allegorical of the possibility of imagining a whole new social world.” (Fredric Jameson)


Fiona Curran (b.1971 Manchester) read Philosophy at the University of Manchester before studying at Manchester School of Art and the Slade School of Fine Art, she teaches at the Royal College of Art in London and works from her studio at Wysing Arts Centre in Cambridge.  



Bright shadows point, Eddington, Cambridge. Commissioned by the Contemporary Art Society and Locke for Turing Locke. (2021)
Your sweetest empire is to please, National Trust Gibside, Gateshead. Commissioned by Newcastle University and The National Trust with support from the AHRC. (2018) (Watch film here)
The grass seemed darker than ever, Kielder Castle, Kielder Forest, Northumberland, commissioned by Kielder Art & Architecture, Kielder Water & Development Trust and Forestry Commission England, (2016)
An accident looking for somewhere to happen, Art Across the City, Swansea, Wales, commissioned by Locws International (2012)
A Delicious Garden, Danson House, Bexleyheath, London, commissioned by The Crafts Council and Bexleyheath Development Trust , (2012)
This time next year things are going to be different, Tatton Park Biennial, Tatton Park, Cheshire, commissioned by Parabola (Danielle Arnaud and Jordan Kaplan), (2010) Awarded a RIBA small projects award.
The World Seen from inside, The Royal London Hospital, Whitechapel, London, commissioned by Vital Arts, (2009).

Solo Exhibitions

Jump Cut, Still Life, Broadway Gallery, Letchworth Garden City, Hertfordshire, UK (2021) (Read Exhibition text by Maggie Gray here)
Beach Fatigue, Carslaw St*Lukes, London, UK (2013) (Read Exhibition text by Kit Hammonds here)
Waiting For The Perfect View, Touchstones, Rochdale, Manchester, UK, (2012)
Too Many Waterfalls, Hive Gallery, Barnsley, Yorkshire, UK, (2010)
Assembly, Chapter Gallery, Cardiff. Wales, UK, (2010)
The World Is Larger In Summer, MAC, Birmingham, UK,
Notes on Camouflage, Cornerhouse, Manchester, UK, (2007).

Selected Group Exhibitions

Continuities, Paul Hughes Fine Arts, Wiltshire (2021); AN 40th Birthday Edition with Slow Install, Online, (2021); The Poetics of Place, UHArts, Hertfordshire (2020); Parade, Broadway Gallery, Letchworth Garden City (2019); Out of place, Hatton Gallery, Newcastle (2019); Enough is Definitely Enough, General Practice, Lincoln and Ocean’s Apart, Salford (2019); EverythingAssembly Point, London (2018); Paper Cuts, Saatchi Gallery (2018); Material Resistance, M100, Odense, Denmark and Sluice Exchange, Berlin (2018); Exeter Contemporary, Phoenix Gallery, Exeter, (2017); Creekside open part 2 (selected by Alison Wilding), APT Gallery, London (2017);  Love, Peace and Happiness, Kristian Day, London (2017), MA/MFA/PhD Show, Slade School of Fine Art, London, UK,
Other, Royal College of Art, London, UK, (2016);No Matter, New Matter, Ed.Varie, New York, USA, (2015); Signal Failure (Squared), Safe House, London, UK, (2015); Mostyn Open 19, Oriel Mostyn, Llandudno, Wales, UK (2015); Finite Project Altered When Open, David Dale Gallery, Glasgow, UK (2015);
Promise of Palm Trees, Breese Little, London, UK (2015);Detail, H Project Space, Bangkok, Thailand, Transition Gallery, London, UK, Usher Gallery, Lincoln, UK, (2014); Situation, RMIT, Melbourne, Australia, (2014);Interchange Junctions, Howick Place, London, UK (2014);Riff, Baltic 39, Newcastle, UK, (2013); Easy Does It, David Dale Gallery, Glasgow, Aid & Abet, Cambridge, Supercollider, Blackpool, UK, (2013);
Common People, Ti Pi Tin, London, UK, (2013); Signal Failure, Legion TV, London, UK, (2013); Untitled, Miami Beach, Miami, USA (with Carslaw St* Lukes), (2012);
Crocodiles With A Second Skin Thrash, Over + Out, Lincoln, (2012);
Making Space, Slade School of Fine Art Research Centre, Woburn Square,
London (2012);Translate/Transcribe, Central House of Artists, Moscow. Russia, (2011); We Are All In This Together, Bureau, Manchester, (2011); Surplus to Requirements? Slade School of Fine Art Research Centre, Woburn Square, London (2011); London Art Fair Projects, The Florence Trust (2011); Guasch-Coranty International Painting Prize, Centro de Arte Tecla Sala Barcelona, Spain (2010); Northern Stars,The Blade Factory, A Foundation, Liverpool, (2010); Paint, Beldam Gallery, Brunel University, London, (2010);
 London Art Fair, Paul Stolper Gallery, London, (2010); FringeMK Painting Prize, Middleton Hall, Milton Keynes (2009); Creekside Open (Part 1) Selected by Jenni Lomax, A.P.T Gallery, London (2009); Coller-Elective, Arena Gallery, Liverpool (2009); Pairs, Paul Stolper Gallery, London (2009); London Art Fair, Paul Stolper Gallery, London (2009); Swap/Vaihto, Bureau, Manchester and The Cable Factory, Helsinki. Finland (2008); Future 50, Project Space Leeds, Leeds (2008).


Tate, Liverpool
MACBA, Barcelona, Spain
University of Leeds
University of the Creative Arts, Farnham
University of the Creative Arts, Canterbury
Newcastle University
Goldsmiths, University of London
Chalmers University of Technology, Gothenburg, Sweden
Central St.Martins, London
RMIT, Melbourne, Australia
The University of Westminster, London
The Bartlett School of Architecture, London
Parsons New School of Design, New York
Plymouth College of Art
Arts & Heritage
The University of Oxford
University of Derby
University of Lincoln
University of Chichester
The University of Hertfordshire
The Broadway Gallery, Letchworth Garden City 
Trust New Art, The National Trust

The Courtauld Institute of Art, London
The Whitworth Art Gallery, Manchester

Public Collections

Manchester Art Gallery
Brunel University
The Royal London Hospital
Paintings in Hospitals
The University of Hertfordshire


QEST tapestry award (2019)
Jean Spenser and Malcolm Hughes Bursary, Slade School of Fine Art (2012)
RIBA MSA small project award for the Tatton Park Biennial project, (2011)
Artist’s Residency Programme at The Florence
Trust, London, UK, (2008)
Research and Development Award from the Arts Council, England, (2004).


Art Fictions Podcast, Interview with Jillian Knipe, April 2021
The World is Larger in Summer, Interview in Ambit Magazine, Issue 233. July 2018.
Dave Pritchard, Review of Out of Place, Hatton Gallery, Newcastle, Corridor 8, August 2019
Dave Pritchard, Fiona Curran & Andrew Burton: Contemporary Art at Gibside, Corridor 8. June 2018.
Lara Eggleton, Follies, Art Monthly, Issue 417. June 2018
Louise Lee, Promise of Palm Trees, Breese Little, This is Tomorrow. February 2015
Robert Clark , RIFF/T, Baltic 39, The Guardian Guide. January 2014
Gabriel Coxhead, Beach Fatigue, Carslaw St* Lukes, Modern Painters. January 2014
Time Out London, Beach Fatigue , November 2013
CultureCritic, Beach Fatigue,. October 2013
Joe Turnbull, Beach Fatigue, The Upcoming. October 2013.
Anne Charnock, Art's Love Affair With JG Ballard, The Huffington Post. October, 2013.
David Hayley, Review of Tatton Park Biennial. AN Magazine. 28th June 2010.
David Lillington, Review of Tatton Park Biennial, Eye Contact, 6th July 2010.
Kevin Hunt, review of Coller Elective, Arena Gallery, Liverpool. AN Magazine, May 2009.
Matt Price, Review of The World is Larger in Summer, MAC Birmingham. AN Magazine. 20th December 2007